Section 5
of 5
Copyright © 2006
by José Ignacio Cabezón and THL.
by José Ignacio Cabezón and THL.
Notes
[2] On the history of this controversy, see
Georges Dreyfus, The Shuk-Den Affair: Origins of a Controversy, at
http://www.tibet.com/dholgyal/shugden-origins.html.
To see a tangkathang
ka painting of the deity in question, see http://www.himalayanart.org/image.cfm?icode=90554.
[3] The
main images that existed at Trashi ChölingBkra shis chos gling
before 1959 are mentioned in Bshes gnyen tshul khrims, Lhasé Gönto Rinchen PunggyenLha sa’i dgon tho rin chen spungs rgyan [A Catalogue of the Monasteries of Lhasa: A Heap
of Jewels] (Bod ljongs mi dmangs dpe skrun khang, 2001), 24.
[4] Lozang Yeshé Tendzin GyatsoBlo bzang ye shes bstan ’dzin rgya mtsho (1901-1981), junior tutor
to the Fourteenth Dalai
Lama (Dalai Lama Kutreng ChuzhipaDa lai bla ma sku phreng bcu bzhi pa), and one of the chief Dharma-heirs of PabongkhapaPha bong kha pa (1878-1941). It was Trijang RinpochéKhri byang rin po che, for example, who was responsible for compiling
Pabongkha RinpochéPha bong kha rin po che’s teachings on the graded stages of the path (lamrimlam rim) into the
classic text known as
Liberation in Our
Hands (Namdröl LakchangRnam grol lag bcangs). That work
has been translated twice into English. See
Artemus B. Engle,
tr.
, Liberation in Our
Hands (New Jersey:
Mahāyāna Sūtra and Tantra Press\, 1999.
[6] The author of
Lhasé GöntoLha sa’i dgon tho
reports, however, that at the time of the writing of his book there
were four monks of the Sera Tantric College living at the hermitage.
[8] Ser smad spom ra dge bshes ye shes dbang phyug, Sermé Tösam Norling Dratsanggi Chöjung Logyü Norbü TrengwaSer smad thos bsam nor gling grwa tshang gi chos ’byung lo rgyus nor bu’i phreng ba [A History of the Sermé Tösam Norling College: A
Garland of Jewels] (Bylakuppe:
Sermey Printing Press, 1984),
140, states: “On that [same]
mountain [as Pabongkha Hermitage] is the hermitage of Trashi ChölingBkra shis chos gling. In
the past, it was the assembly place of King Lhazang Khan’s (Lhazang KhangLha bzang khāng) ritual
college (kurim dratsangsku rim grwa tshang). Later, the ritual college was moved to SeraSe ra’s old assembly
hall (dukhang’du
khang) and Trashi ChölingBkra shis chos gling became a
hermitage. Trashi ChölingBkra shis chos gling was [then] offered by the Tantric
College to the PabongkhaPha bong kha incarnation –
Jampa Tendzin Trinlé GyatsoByams pa bstan ’dzin ’phrin las rgya mtsho
(1878-1941) – of Sera Mé College
(Sera MéSe ra smad)
Gyelrong Regional House
(Gyelrong KhangtsenRgyal rong khang tshan).
This holy person completely redid the shrines and offerings. [At this hermitage] there is an
assembly hall, personal residence, protector deity chapel (gönkhangmgon khang), gold-plated statue of the
protector Maitreya (JampaByams pa), unlimited numbers of
representations of the Buddha’s body, speech and mind, as well as
many monks’ quarters.”
[9] It is not clear whether this transition from the
private ritual college to
the
Sera
Tantric College
took place immediately or over a period of years.
[10] This coincided with PabongkhapaPha bong kha pa officially becoming part of the Sera Tantric College.
And according to at least one informant, the offering of Trashi ChölingBkra shis chos gling to PabongkhapaPha bong kha pa was in fact a way
of inducing him to affiliate with the Sera Tantric College.
This tradition is carried on today, and the present Pabongkha RinpochéPha bong kha pa rin po che, for example, has affiliations both to the
MéSmad and Tantric College.
[11] Pabongkha RinpochéPha bong kha pa rin po che was known as one of the strongest proponents of
this controversial deity in the twentieth century.
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Trashi Choling
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