Antiquities of Zhang Zhung Edited by Geoffrey Barstow, Mickey Stockwell and Michael White | Tibetan & Himalayan Library
Copyright © 2010 by the author.
Published under the THL Digital Text License. |
3. Criteria Used in the Determination of Archaic Archaeological Sites6
7) Art and artifacts that exhibit archaic stylistic and fabrication traits:
The aesthetic and technical analysis of art and artifacts is best used in conjunction with collateral archaeological data, but even alone it is a helpful method for estimating chronological values. The rock art record provides one of the best indexes of cultural evolution from the archaic to the Lamaist. The prehistoric Upper Tibetan rock art tableaux are rich in compositions that depict economic, environmental and cultural matters related to the way of life in the region. These petroglyphs and pictographs are largely unrelated to Buddhist-inspired art and design as they developed in Tibet. Rock art exhibiting archaic themes (such as hunting scenes, the isolated portrayal of wild animals, and iconic motifs) continued to be produced well into historic times. This suggests that there was a good deal of cultural continuity between the prehistoric and historic epochs in Upper Tibet. Nonetheless, analogous subject matter reveals different modes of manual execution and stylistic presentation, valuable evidence in any attempt at chronological differentiation. As compared to rock art made in the prehistoric epoch, the later variants exhibit their own set of production qualities and aesthetic refinement. Rock art of the historic epoch is either cruder or more polished. This inferred chronological progression is also discernable in other spheres of material culture. Copper alloy artifacts such as amulets, implements and weaponry possess aesthetic and technical features indicative of relative age and cultural affiliation as well.
In addition to these indirect means of assessing archaic cultural status, the radiometric and AMS assaying of organic remains recovered from sites constitute the direct approach to dating. The criteria outlined above are all dependent on inferring chronological information from evidence that does not intrinsically lend itself to scientific verification. For these criteria to be validated, the conclusions drawn from the cultural identity, appearance and location of monuments and rock art must ultimately stand the test of chronometric verification. Over the last four years, I have begun the process of independent corroboration of the suppositions set forth above. I am intent on presenting the identification of the corpus of archaic structural and aesthetic forms in Upper Tibet in a more objective and reproducible fashion. In pursuance of this goal, 20 samples have been submitted for radiometric and AMS analysis (derived from both residential and ceremonial sites). The recovery and archaeometric assaying of far more samples from many more sites is demanded to definitively chart the chronology (and other objective values) of the Upper Tibetan archeological assemblage. Archaeometric inquiry is also essential in weeding out those sites that may not have an archaic cultural horizon status. It is on a good footing that chronometric data assembled thus far have begun to corroborate the presumptions made concerning the temporal orientation of the sites surveyed.
Notes
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- Acknowledgments
- Introduction
- 1. The Archaic Archaeological Sites of Upper Tibet
- 2. An Introduction to the Author’s Archaeological Exploration of Upper Tibet and Survey Methodology
- 3. Criteria Used in the Determination of Archaic Archaeological Sites
- 1) Sites in BönBon literature attributed to personages, events, facilities, and locations associated with the Zhang ZhungZhang zhung and SumpaSum pa kingdoms
- 2) Monuments attributed in local oral traditions to the ancient Bönpobon po, the MönMon, personalities in the Ling GesarGling ge sar epic, and the pantheon of genii loci
- 3) Monuments exhibiting early design, constructional and morphological features
- 4) The siting of monuments in desolate environmental niches
- 5) Monuments and rock art comparable to those in other regions of Tibet
- 6) Monuments and rock art comparable to those in other Inner Asian territories
- 7) Art and artifacts that exhibit archaic stylistic and fabrication traits:
- 4. The Chronology of Archaic Archaeological Sites
- 5. A Typological Outline of Archaic Monuments and Rock Art
- A Typological Description and Analysis of Archaic Monuments
- I. Residential Monuments
- I.1. Residential Structures Occupying Summits: Fortresses, breastworks, religious buildings, palaces, and related edifices
- Nam DzongGnam rdzong
- Dzong PipiRdzong pi phi
- Takzik NordzongStag gzig nor rdzong
- Wangchuk Gönpo KharDbang phyug mgon po mkhar
- Mapang Pömo KharMa pang spos mo mkhar
- Gya Nyima KharRgya nyi ma mkhar
- Jomo Rirang KharJo mo ri rang mkhar
- Drakchak KhongkhaBrag chag khong kha
- KharngönMkhar sngon
- Naktsuk KharNag gtsug mkhar
- Hala KharHa la mkhar West
- Hala KharHa la mkhar East
- Gyülgül KharRgyul ’gul mkhar
- Kaling KharKa gling mkhar
- TsarangRtsa rang
- Zhayé KharZha ye mkhar
- Chumurti KhargokChu mur ti mkhar gog
- PemochéSpe mo che
- Kharlung KhargokMkhar lung mkhar gog
- Lungpa Rakpa KharLung pa rag pa mkhar
- Gyammuk KharGyam smug mkhar
- Purok KharSpu rog mkhar
- Dungkar KhardongDung dkar mkhar gdong
- Saten KharSra brtan mkhar
- Kyungmo DrakkharSkyung mo brag mkhar
- Lhünburtsé DzongLhun ’bur rtse rdzong
- Domra DzongSdom ra rdzong
- Jiu KyéByi’u kye
- Nakra Drakseng DzongNag ra brag seng rdzong
- DrakgozhakBrag mgo bzhag
- Drakla DzongBrag la rdzong
- Tochu KharMtho chu mkhar
- Nakra DzongNag ra rdzong
- Takla KharStag la mkhar
- Jiu KharByi’u mkhar
- Wangdrak PukDbang brag phug
- Posa KhargokSpo sa mkhar gog
- Kharru KhargokMkhar ru mkhar gog
- KharpochéMkhar po che
- Sherang KharlungShe rang mkhar lung
- YilungDbyi lung
- Gekhö KharlungGe khod mkhar lung
- Chulung Okma KharChu lung ’og ma mkhar
- MarlungMar lung
- Luring NakhaLu ring sna kha
- Khaser Ramo Gyamo KharKha ser ra mo rgya mo mkhar
- Deu Nakgu KharRde’u nag gu mkhar
- Tönkha LungkharMthon kha lung mkhar
- GülringMgul ring
- Drakgu SeldrönBrag gu gsal sgron
- Gartsang KharMgar gtsang mkhar
- Tang KhartséStang mkhar rtse
- Zarang KhartséZa rang mkhar rtse
- Pia KharPhi’a mkhar
- Balu KharBa lu mkhar
- Kardung KharDkar dung mkhar
- Bargyi KharBar gyi mkhar
- Ribong KharruRi bong mkhar ru
- Belpa KharSbal pa mkhar
- KyidzongSkyid rdzong
- DongmarGdong dmar
- KharkarMkhar dkar
- Dosham Möngyi KharMdo gsham mon gyi mkhar
- Dosham Möngyi YülMdo gsham mon gyi yul
- Lung PukLung phug
- Cholo PukCho lo phug
- KhartakMkhar ltag
- Rakkhashak Möngyi KharRag kha shag mon gyi mkhar
- Jangtang KharByang stang mkhar
- Khar MarpoMkhar dmar po
- Sharlang KharShar lang mkhar
- Markar Juru KharMar dkar byu ru mkhar
- Drakkar KharBrag dkar mkhar
- Mani Tang KharMa ṇi thang mkhar
- KölkharKol mkhar
- Kamsang MönkharSkam srang mon mkhar
- Khargok Dorjé YudrönmaMkhar gog rdo rje g.yu sgron ma
- Kolok KhargokKo logs mkhar gog
- Serzhung KhargokGser gzhung mkhar gog
- KharnakMkhar nag
- Jekar KhargokBye dkar mkhar gog
- Wutsé KharDbu rtse mkhar
- Chuti KharChu sti mkhar
- Riwa MönkharRi ba mon mkhar
- Rinti GangkharRi lti sgang mkhar
- PukkharPhug mkhar
- Balu KharBa lu mkhar
- Ronglha Gyeltsen MönkhangRong lha rgyal mtshan mon khang
- KharchungMkhar chung
- KharlungMkhar lung
- Dziden ChungwaBrdzi gdan chung ba
- Arong MönkharA rong mon mkhar
- Shangtsé BönkharShang rtse bon mkhar
- Shiri MönkharShi ri mon mkhar
- Rula KharRu la mkhar
- I.2. Residential Structures in Other Locations: Religious and Elite Residences
- Bönpo PukBon po phug
- ApukA phug
- Shötram PukShod tram phug
- Khyunglung YülméKhyung lung yul smad
- Setrap TsamkhangBse khrab mtshams khang
- Takrong TsamkhangStag rong mtshams khang
- Zhapkar DruppukZhabs dkar sgrub phug
- Menla PodrangSman bla pho brang South
- Rechen PukRas chen phug
- Jomo RirangJo mo ri rang
- Chilbu GönpaSpyil bu dgon pa
- Riu GönpaRi’u dgon pa
- Dzuntrül PukRdzu ’phrul phug
- PukchenPhug chen
- KyarangKya rang
- TakchenStag chen
- Pukgu ChusumPhug dgu chu sum
- ZimpukGzims phug
- Yachü DrakpukG.ya’ bcud brag phug
- Lungten PukLung bstan phug
- Dechö GönpaSde chos dgon pa
- LhalungLha lung
- Gekhö Kharlung (Mepa)Ge khod mkhar lung (smad pa)
- Gönpé DoDgon pa’i do
- Taser GokMtha’ ser gog
- Khangpa MargokKhang pa dmar gog
- Drakgam DzongBrag sgam rdzong
- Menla PodrangSman bla pho brang North
- AwangA dbang
- Sinmo DzongSrin mo rdzong
- Manam KharMa nam mkhar West
- Jiu Singpé KharByi’u sing pa’i mkhar
- YüllungYul lung
- Lung NgakLung ngag
- Dechö Kelmön LungpaSde chos skal mon lung pa
- Doring KhangroRdo ring khang ro
- Puling YültongSpu gling yul stong
- Kyidrom GönpaSkyid sgrom dgon pa
- Garsöl DrakpukSgar gsol brag phug
- Gönro MardingDgon ro dmar lding
- Sinpo DzongSrin po’i rdzong
- TrandraKhra ’dra
- Dongmar DokhangGdong dmar rdo khang
- Dzomo Lungra TrawoMdzo mo lung ra khra bo
- MönbuMon bu
- Purbu GyangmarPhur bu gyang dmar
- Khangpé KyéKhang pa’i skyed
- Bar MönkharBar mon mkhar
- Tokmé DeuburThogs med rde’u ’bur
- Jangru DingByang ru sdings
- KyangtangRkyang thang
- Bumo LhakhangBu mo lha khang
- Zicha MönkhangZi cha mon khang
- SaraSa rā
- Pangtra Dzong KarSpang bkra rdzong dkar
- Gyamchung PukpaGyam chung phug pa
- Ombu Zhang Zhung Gönpa’Om bu zhang zhung dgon pa
- Tara MardingRta ra dmar lding
- SemodoSe mo do South
- SemodoSe mo do West
- DotagaDo rta sga East
- DotagaDo rta sga South
- DodrilbuDo dril bu
- TsodoMtsho do
- DoserDo ser
- Domuk TsamkhangDo smug mtshams khang
- Draklung LhomaBrag lung lho ma
- DopukRdo phug
- I.1. Residential Structures Occupying Summits: Fortresses, breastworks, religious buildings, palaces, and related edifices
- II. Archaic Ceremonial Monuments
- Supplemental Data on Archaeological Sites First Surveyed before 2001
- Tables of the Names and Locations of All Archaic Monuments and Rock Art Sites Documented to Date
- Map Index
- Bibliography